Sarasota this time


When I woke Saturday morning it struck me that I could drive up to Sarasota if  
I felt like it, and that’s what I did. Half the kick was meandering up there, 
stopping at anonymous but familiar-looking fast food spots, sitting in air 
conditioned booths looking through glass at the highway and palm trees, 
without a plan in the world. 

Sarasota is an arty town. There’s an opera company and a film festival. Ballet.
The big Dali collection. Galleries galore. All kinds of Music. But its Greenwich 
Village grit has, like that of so many other old Florida locales, been swept away 
in the storm of regentrification. This time on a more grandiose scale. The city, 
when I got there, was congested and spiked with cranes. Towers were sprouting 
everywhere, and construction walkways obliterated familiar storefronts. I had 
contacts there, Bill, Stephanie, but I didn't want to look anybody up. I wanted to 
wander around taking shots and watching people. 

Main Street was still a dappled and umbrella-strewn haven, jammed with cafes,
and the galleries on and off Palm were engaging. One was showing lush, period- 
looking seaside scenes reminiscent of Sargent, with Turner's glowing, operatic 
light. Another had some neo-cubist but whimsical confections of musicians 
carefully rendered in Crayola colors. 

I sat at a table under trembling shade thinking about the last time I was here
with Nicole, already stumbling toward the black hole that would swallow her 
for the next two years. She was saying that people looked like vampires. That 
manikins scared her. That Johnny Carson was terrifying. She’d asked me for a 
Tylenol and instead of taking it, sat scrutinizing it, breaking off tiny crumbs in 
her saucer until there was nothing left but sand.

At one of the galleries the owner, all taupe, and silver, and cashmere,
accompanied me quietly, amid the carpeted hush and fine art, and bars of light 
streaming through plate glass. A desultory tour of the exhibit. Art chat. We 
parted with sly but blatantly dawning smiles. A brush with flirtation mutually, 
and somehow indulgently, deferred. 

Outside, a bank of newspaper racks offered a bunch of free weeklies and art
rags. I stocked up and headed home, having taken no photos.



Comments

  1. What a great post Joe. It almost feels as if I were along for the ride. Thank you.

    ReplyDelete
  2. Your friend has some valid points that I would most definately have to agree with. Particularly the Johnny Carson being terrifying thing.
    I love how you write! Keep em coming.

    ReplyDelete
  3. HI its me again.
    Great photo by the way. I am assuming you took it, very very creative!

    ReplyDelete
  4. Come fly with me, come fly, let's fly away... anybody like Michael Buble?

    Nicole thought Carson automaton-like, which played into her fear of manikins or anything that is a human facsimile. Strange. She didn't feel this way about sculpture, not even Duane Hanson. Her disquiet had to do with a perceived insidiousness in the object's intent. I kind of half get it.

    ReplyDelete
  5. Buble? Yes, I do. But he's such a product of David Foster. Too damn commercial at times.

    ReplyDelete
  6. That can be annoying, but I'm a pushover for creature-ness. That voice. He's got the style to make the most of it too. I just hope he doesn't abandon the jazz/classic banner for the dubious appeal to a middling pop mainstream. He gives me fever. OK, I like Going Home, but not what it portends.

    ReplyDelete
  7. Michael Buble, we play sometimes in the spa. It is mum's, not mine. I prefer Norah Jones.
    Or Frank Sinatra.
    However, he is good.
    Johnny, yes, like he could almost be carved out of wood, or something. Those teeth, yikes!!!
    ..."insidiousness..." yes...all the way.

    ReplyDelete
  8. I like both, thought I can't listen to I Don't Know Why without getting mangled, which doesn't stop me from playing it. I'll exorcise it with a post some day.

    Here's a Sargent that the paintings at one of the Sarasota galleries brought to mind...

    http://www.corcoran.org/collection/highlights_main_results.asp?ID=29

    ReplyDelete
  9. I LOVE Michel Buble...

    One of my earliest memories of Sarasota was getting to perform in Van Wezel Hall as a Freshman in High School... and wondering why in the HELL anyone would paint it pink (it was all pink at the time) - then I saw the sun set behind it and I knew why... Mr. Wright knew what he was doing...

    ReplyDelete
  10. I love road tripping.
    There is something very balancing about getting out by yourself, isn't there?

    ReplyDelete
  11. Van Wezel is a fantastic venue. I think it's pink and violet now. I don't recall having seen it at sunset, but I can imagine it's gorgeous. One of the things I loved about the World Trade Center was its sensitivity to light - and its awesome scale becoming by turns blatant or ghostly.

    Yeah, logo, there is. Balancing. And it doesn't seem to much matter where, long as it's away, and there's no hurry...

    ReplyDelete
  12. Who are you looking at in the mirror? Symbolically, of course.

    ReplyDelete
  13. Felt like I was along for the ride - music and all. Now I feel oddly relaxed.

    ReplyDelete
  14. hmm so I've been hearing, G, lol... my blog's gone virtual!

    ReplyDelete
  15. You have a cool new look everytime I come here. Last time I swear you were Timothy Hutton. :) I love this shot. Geez, I need to change my ancient avatar. :-P

    I ADORE Buble. Though his stuff is starting to have a little Pavlovian thing going on with it for me because it's such great background music for the forbidden dance. ;) The other day at Barnes and Noble they had a whole CD on. Oy! ^_^ Fever, indeed!

    I have a friend who's afraid of mannequins, but not Johnny Carson (yet.)

    Sometimes the camera can keep you from seeing and enjoying what's really there. Of course other times, it helps you see things you never noticed.

    ReplyDelete
  16. Love Michael Buble :)
    Enjoyed your trip - it's good to wander out and explore on your own at times.More perspective on a place with your inner thoughts,than with someone babbling about the bargain shoe store/traffic/food/the evil seagull that pooped on their Chanel handbag.

    ReplyDelete
  17. Sad, Joe.

    I've been going through a couple-week long no picture stint.

    As always, a beautiful story.

    ReplyDelete
  18. I like your avatar Can... tickle, tickle! I'm Pavlovian with Buble too - from lust to tears and everything in between. Yes, the camera can be a window or a blind - depending on the "whether..."

    Bugs, LOL. When an evil seagull poops on your Chanel anything, talking about it is aggravating to defer.

    Sarah, I rarely go anywhere without my S3 (you have one too... isn't it a gem?) But one is not always inspired. Sometimes recording a scene in my nervous system alone is all I want.

    ReplyDelete
  19. Oh, NICE homophone! ^_^

    I feel stupid for having to ask but please tell me the name and composer of that piano piece. Is it Chopin? It's beautiful!

    ReplyDelete
  20. I (heart) you.

    Yes, it's Chopin. Don't feel stupid. It's a little known waltz in a minor (posthumous, BI. 150)

    A critical history of Chopin I once read called his music "acid sweet," lol. It's true, though this one sounds, though posthumous, like an early piece - and just a bit tangy though, I agree, beautiful.

    ReplyDelete
  21. http://www.corcoran.org/collection/highlights_main_results.asp?ID=29

    Went to see, very lovely indeed! What a sky!
    Never heard of him before, thanks for that!!

    ReplyDelete
  22. Sometimes words are better at capturing images anyway.

    ReplyDelete
  23. There's a place for each but yeah, grunt, sometimes words can go where pixels can't.

    Blue, I thought you'd enjoy it. John Singer Sargent was a master at the end of an era. The Whitney museum in NY had a huge retrospective of his work a few years ago. He was justly famous for his brovura brush work - with two or three strokes he could create a piece of jewelry or an eyebrow which, from a few feet away, is utterly convincing. Then you move in close and are astonished anew. You probably know some of his society portraits, which made him famous and wealthy, but his quasi-impressionism is gorgeous. Here's a few more:

    http://jssgallery.org/Paintings/Daughters_of_Edward_Darley_Boit.htm

    http://jssgallery.org/Paintings/El_Jaleo.htm

    http://jssgallery.org/Paintings/Lady_Agnew.htm

    http://jssgallery.org/Paintings/Paul_Helleu_Sketching_with_his_Wife.htm

    http://jssgallery.org/Paintings/Breakfast_In_The_Loggia.htm

    ReplyDelete
  24. Regentrification. Wow. I love that word (now). You've made me want to go to Sarasota and sit in trembling shadows. Beautiful post, Joe.

    ReplyDelete

Post a Comment

Popular posts from this blog

Pool ku

Agatha